Dude Movie Round-Up
I realize I've been neglecting my dudely duties of late, so here's a round-up of the latest in Dude Movie watching:
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D.O.A.: Dead or Alive
What's it about?
CHICK FIGHTS! More specifically, different chicks (and dudes) gather on an island to compete for something or other, which involves plenty of kicking, punching and gouging with the occassional break for scantily-clad volleyball.
Any chicks in the movie?
Well, duh. Jaime Pressley is the redneck cowgirl, Devon Aoki is the sultry Asian Princess, Holly Valance is some girl I never heard of, Sarah Carter is the perky daughter of the bad guy, and the crazy-hot Natassia Malthe is a purple-haired shinobi. Take that, Fox Force Five!
Awesomeness factor?
Way higher than it has any right to be. Now keep in mind, this is the kind of movie that when you're watching it you think to yourself "You know what this movie is missing? Eric Roberts." when BAM! Eric Roberts shows up. And considering that the D.O.A. fighting game upon which this movie rests* is based almost entirely on the giddiness males of a certain age receive from watching large, digitized boobs bounce gracefully across a television screen, what little story they do manage to squeeze in amidst the skimpily-wardrobed boob-heavy slapfests serves to hustle things along at the requisite speed. Corey Yuen (who did future Dude Movie pick New Legends Of Shaolin, my very favouritest Jet Li movie) covers up the relative sloppiness of his cast's martial arts ability with vigourous Raimi-esque camerawork, wisely choosing to keep the fights short but upping the frequency to one fight approximately every twelve seconds.
Mitigated by?
Still waiting for The Warriors: The Game: The Movie.
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Meatballs
What's it about?
Proto-slacker template Bill Murray leads sad-sack underdog campers on a series of self-esteem exercises.
Any chicks in the movie?
Can't have a summer camp movie without chicks, but nobody famous.
Awesomeness factor?
Ramshackle. Much like the camp in which the movie was filmed, Meatballs is low on budget but manages to coast most of the way home on charm. Part of the wave of slob-coms that came out in the wake of Animal House, Meatballs plays like that movie's sex-obsessed fourteen-year-old cousin. What little conflict there is centres around the Meatballers perennial losing streak against the rich kids camp from across the lake as Murray rallies the troops in an attempt to game the system. Taken to it's logical extreme, the movie hides a radical political agenda: if the system treats you like a loser, then it's okay to fuck that system's shit up. One day you're pulling down the pants of the rich kids basketball team and the next day you're voting Green. This will all be explained in my upcoming series entitled "Meatballs: Gateway Drug To Anarchy."
Mitigated by?
The title is mysteriously never explained.
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Eraserhead
What's it about?
Holy fool Jack Nance fathers a monster baby. Hijinks ensue.
Any chicks in the movie?
Well, let's see: There's the shrewish mother of the monster baby, there's the lady with the fucked-up cheeks who lives inside Nance's radiator, and there's the sultry neighbour that Nance has sex with in a bed made of milk. PAGING DR. FREUD!
Awesomeness factor?
Trippy. Existing in that mysterious place between total genius and complete garbage, Eraserhead isn't a movie in the traditional (read: entertaining) sense of the word. Lynch plunges straight into his subconscious to dredge up a series of dream narratives that has something to do with the fear of fatherhood. Or maybe not. The thing that's so maddening about Lynch is that his images always seem like they're rich with meaning, but they probably aren't. In that sense, Eraserhead is like a cinematic ink-blot test, in that your experience with it probably says more about you than it does about him.
Mitigated by?
Probably the worst movie to watch under the influence ever made.
* Like an elephant atop a much smaller elephant.**
** The preceding simile was brought to you by the Extremely Lazy Writer Foundation of America.***
*** Slogan: "We'll think of something later."




